Tracing Aristotles tragic scrapper model in king Lear and A Streetcar Named Desire: Aristotle defines tragedy as a hammer of drama which imitates noble people through artistically raise language and through pitiable and fearful nonessentials. accord to Aristotle, tragedy involves several aspects that eventually lead to abreaction, an emotional cleanup spot of the audience. most of these aspects include pity, fear, reversal and recognition. Reversal of circumstance (peripeteia) is an incident in which the tragic hero undergoes a reversal of fortune to the opposite read of affairs (Section 11). Recognition (anagnorisis) travel bys when the hero undergoes a reposition from ignorance to knowledge and brings about a state of friendship or one of hostility in the tragic figure (Section 11). These stages occur simultaneously in a multiplex plot is severalise to create feelings of pity and fear with catharsis as the chief(prenominal) goal. Both William Shakespeare and Tenn essee Williams present tragic heroes within their individual plays, female monarch Lear and A Streetcar Named Desire; however, while Shakespeare accomplishes this by pursual Aristotles tragic model rather closely, Williams adapts Aristotles model to better teddy a 20th century audience. Both tragic heroes, King Lear and Blanche DuBois, wee-wee tragic flaws as defined by Aristotle.
check to Aristotle, all tragic hero is a person who is neither arrant(a) in virtue or justice (Section 13). Shakespeare describes Lears flaw as pride. This flaw is evident when Lear informs his daughters he will award the largest humanity (King Lear 1.1. 57) to the daughter that professes his love ! for him in the best possible way. In other words, Lear is looking for ways to feed his pride. As Aristotle said, this tragic flaw leads to the downfall of the hero. In this case, Lear loses all his wealth to his daughters and wanders around homeless. He eventually turns insane... If you want to get a comprehensive essay, order it on our website: BestEssayCheap.com
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