During this essay, I will move through the scene in Casablanca chronologi send fory, whilst detailing the editing, sound and mise-en-scene, and analysing how they affect the viewers reading of the scene. Throughout the scene, the path is palely lit, and there are a lot of shadows - twain on the faces of wrestle and Ilsa, and on the walls cigaret the characters. Many of the shadows, peculiarly behind Rick, are cast from exotic looking objects. This connotes the multicultural brass of Rick. He is a man who has travelled just about a lot, and happenms to have rarely commemoratetled enough to call anywhere home. There are lots of structures inside the direction, and many an opposite(prenominal) horizontal and good lines - especially within the shadows and on the blinds and slated doors. The horizontal lines feature generally when Ilsa is in shot, possibly suggesting the split emotions she has everywhere what she is feeling. The scene begins with Rick coming to the top of a set of stairs within his cafe. It is silent, with the only sound being his diegetic footsteps. It is in addition dark and shadowy. Rick comes to a door, and the tv camera cuts to the other side of the door as we see him open it and fancy the room.
He reaches to his left to turn on the lamp, which only partly brightens the dark space. The non-diegetic music, which will continue throughout the scene, starts as he looks ahead and sees Ilsa. As Rick looks up, the camera sweeps across the room in the direction of his eye line, and we see Isla stand by the window and turning towards Rick, with horizontal shadows of the blinds across her. Th e camera thence makes a sharp cut to a tigh! tlipped up of her face and shoulders, which makes the... If you want to get a ample essay, straddle it on our website:
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